Reverie, Interrupted

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Reverie, Interrupted for tenor saxophone and piano is featured on Parma Recording's album Sculpting the Air: Modern Works for Wind Instruments, with Jordan P. Smith, tenor saxophone, and James Adler, piano.

Adler’s piece is reminiscent of Barber; it is well written for both saxophone and piano. -- Paul Turok, Turok's Choice, August 4, 2011.
Adler’s style here offers lyricism with edge -- Robert Hugill, Planet Hugill
This is a very nice jazz- inflected work that meanders in and out of the lyrical and the buoyant; all supported by a very neat noir-like piano part. -- Daniel Coombs, Audiophile Audition
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Reflections upon a September morn

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Reflections upon a September morn features poetry by Walt Whitman and is the composers remembrance of the events of 9/11. Featuring Kate Maroney, mezzo-soprano; Virginia Brewer, oboe and English horn; and James Adler, piano, this 8-minute work is released by Albany Records as a digital single available for download only.

Employing words from Walt Whitman’s “Song of Myself,” from “Leaves of Grass,” that, though written a century-and-a-half earlier, sound hauntingly prescient in their pertinence to the present-day disaster...As set by Adler, Whitman’s lines—“I am the mash’d fireman with breast-bone broken,/Tumbling walls buried me in their debris,/Heat and smoke I inspired, I heard the yelling shouts of my comrades,/I heard the distant click of their picks and shovels,/They have clear’d the beams away, they tenderly lift me forth”—resonate chillingly anew in the recording. -- Bruce-Michael Gelbert, [Q]onStage.com
The performance is wonderful; Kate Moroney sings with fervor, Virginia Brewer and James Adler accompany brilliantly. The whole is recommended, a fine, moving piece. -- Paul Turok, Turok's Choice
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Memento mori: An AIDS Requiem

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Composed by James Adler
Performed by the AmorArtis Chorale & Orchestra, Victoria Livengood, mezzo, Jane Dutton, soprano, Maire O'Brien, soprano, Steve Huffines, baritone, Neil Farrell, tenor, Johannes Somary, conductor
Released Fall 2001, Albany Records

Adler writes for both chorus and orchestra with uncommon imagination. -- The Atlanta Journal-Constitution
Affecting, even harrowing, this is one of the most successful large-scale musical works to consider those who have died of AIDS. -- Musicmatch
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James Adler plays Syncopated Rhythms

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Music by Adler, Antheil, Copland, Gershwin, Gottschalk, Joplin, Menotti, and Ornstein.
Released April 2008, Albany Records

See Mr. Adler perform music from the CD on our performance archive page, including: James Adler's Two Dances in One; Aaron Copland's Hoedown from Rodeo; and Leo Ornstein's Nine Miniatures for Piano.

We enjoyed it a great deal; you're clearly a fine pianist and your treatment of Dad's pieces is lovely and sensitive. -- Severo Ornstein, May 2008
This CD is a find for those who are fascinated by obscure byways of American piano music; much heard here is not, as far as I know, available elsewhere -- Scott Morrison, amazon.com
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Light and Sirius

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Solo Piano Pieces performed by Nicholas Underhill

Music by Adler, Philo, Underhill, and Viens
Released Summer 2007, Capstone Records

James Adler's [3] Piano Transitions spins appealing variations on the venerable forms of passacaglia, prelude and toccata before immersing itself in spicy and ebullient Caribbean-influenced dances. -- Gramophone, January 2008
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